Dangerous Woman (album)

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Dangerous Woman
Ariana Grande - Dangerous Woman (Official Album Cover).png
Studio album by Ariana Grande
Released May 20, 2016 (2016-05-20)
Recorded August 2014 – January 22, 2016
Genre
Length 39:31
Label Republic[3]
Producer
Ariana Grande chronology
Christmas & Chill
(2015)Christmas & Chill2015
Dangerous Woman
(2016)
Singles from Dangerous Woman
  1. "Dangerous Woman"
    Released: March 11, 2016
  2. "Into You"
    Released: May 6, 2016

Dangerous Woman is the third studio album by American singer Ariana Grande and was released on May 20, 2016, by Republic Records. The album is the follow-up to her second studio album My Everything (2014), and features guest appearances from Nicki Minaj, Lil Wayne, Macy Gray and Future. The album's lead single "Dangerous Woman" was released on March 11, 2016. The second single, "Into You", was released on May 6, 2016. The album debuted at number two on the US Billboard 200, and at number one in the UK and several other international markets.

Background

Grande began recording songs for the album soon after the completion of her sophomore album, My Everything (2014), and continued throughout the summer and fall of 2015, between stops on her Honeymoon Tour, with her friends Tommy Brown and Victoria Monet.[4][citation needed] "Focus", which was originally intended to be the lead single from the album,[5] was released digitally on October 30, 2015. The song debuted and peaked at number seven on the Billboard Hot 100,[6] selling 113,000 copies in its first week in the United States. On January 26, 2016, the song was certified Platinum by the Recording Industry Association of America, for combined sales and streaming units of 1 million equivalent units.[7] Grande finished work on the album on January 22, 2016.[8]

The album was originally titled Moonlight.[9] On Jimmy Kimmel Live! in January 2016, however, Grande revealed that she was no longer sure of the name, and that she might re-title the album after another song on the album.[10] She announced the new title of the album, Dangerous Woman, on February 22, 2016, through her Snapchat and Twitter accounts.[11] The following day, she posted a photo on Instagram with a caption quoting Egyptian feminist writer Nawal El Saadawi's 1975 novel, Woman at Point Zero as follows: "They said, 'You are a savage and dangerous woman.' I am speaking the truth. And the truth is savage and dangerous".[12] As to why the album name was changed, Grande stated that it had to do with portraying herself as a stronger person and to empower fans, saying: "'Moonlight' is a lovely song, and it's a lovely title. It's really romantic, and it definitely ties together the old music and the new music, but 'Dangerous Woman' is a lot stronger. … To me, a dangerous woman is someone who’s not afraid to take a stand, be herself and to be honest."[13]

Release and promotion

Grande announced the final title of the album on February 22, 2016, via her Snapchat.[14] Two days later, Grande launched a website to promote her album (now merged with her original website), which features a "Tea" section in which the singer shares new information regarding the album, as well as a "Shop" section, in which album-related merchandise is sold.[15] The official album cover was released on March 10 via Grande's social media accounts and on her official website. On March 12, 2016, Grande was both the host and musical guest on NBC's Saturday Night Live, where she performed "Dangerous Woman" and "Be Alright".[16] In April, Grande debuted "Leave Me Lonely" live at the grand opening of the Las Vegas T-Mobile Arena[17] and performed at the 2016 MTV Movie Awards.[18] On May 13, 2016, Grande announced via her Instagram account that a new song from the album would be premiered exclusively on Apple Music every day until the release of the album.[19] Grande promoted the album's release with televised performances at the 2016 Billboard Music Awards[20] and on Jimmy Kimmel Live! and Good Morning America.[21] On May 25, she sang "Into You" and duetted with Christina Aguilera on "Dangerous Woman" on The Voice season 10 finale.[22]

Singles

The former lead single, "Focus", was released on October 30, 2015.[23] Although originally intended to be the lead single, it was not included on the standard or US editions of Dangerous Woman.[24][25] However, it was included as a bonus track on the Japanese edition of the album.[26][27]

The album's lead single and title track, "Dangerous Woman", was released on March 11, 2016, along with the pre-order of the album on the iTunes Store.[24][25] It was teased by Grande on March 1, 2016.[28] A snippet of the song was released as background music to the Victoria's Secret Swim Special on March 9, 2016.[29] It was sent to rhythmic radio on March 15, 2016.[30] The song became Grande's seventh top 10 on the Billboard Hot 100 as well as her fifth to debut in the top 10.[24]

The second single, "Into You", was released on May 6, 2016.[31]

Promotional singles

The first promotional single, "Be Alright", was released on March 18, 2016.[32] The second promotional single, "Let Me Love You", featuring Lil Wayne, was released on April 18, 2016.[citation needed]

Critical reception

Professional ratings
Aggregate scores
Source Rating
Metacritic 76/100[33]
Review scores
Source Rating
AllMusic 4/5 stars[34]
The A.V. Club B[35]
Entertainment Weekly B+[1]
Idolator 4.5/5 stars[36]
NME 4/5[37]
The Observer 4/5 stars[38]
Pitchfork 7.6/10[39]
Rolling Stone 3/5 stars[40]
Slant Magazine 3.5/5 stars[41]
Spin 6/10[42]

According to Metacritic, which assigns a weighted average score out of 100 to ratings and reviews from mainstream critics, gave Dangerous Woman a score of 76, based on 13 reviews, indicating "generally favorable reviews".[33] Nolan Feeney, in Entertainment Weekly, commented that while Grande's previous album, My Everything "suffered for trying to be everything", on Dangerous Woman, "[w]ith a streamlined team of hitmakers such as Max Martin, she pulls off pop, R&B, reggae, and house—all without overextending herself or pandering to trends".[1] Lewis Corner from Digital Spy noted some "missteps during [the Album's] early stages", but commented: "Ariana has ultimately pulled together a consistent collection that impressively manages to keep your attention over 15 tracks", and that Grande "has made effective use of her triple threat ability by bringing together her knack for seductive balladry, dancefloor-filling pop anthems and some '90s R&B throwback for one almighty third album."[43] Mikael Wood, writing for the Los Angeles Times, found it "impressive how fully she [Grande] inhabits the emotional environment of each song" on the album. He further writes that Grande was also "deft [at] adapting to different styles" of music, "be it reggae ("Side to Side"), 1990s dance-pop ("Be Alright") or the weird fusion of campfire guitar and trap percussion in "Sometimes"".[44]

Maeve McDermott from USA Today summarized that Dangerous Woman, "like its title suggests", is "a mature portrait of an artist blessed with one of pop's strongest voices, brimming with potential hits."[45] Erik Ernst, indicating in a review from Milwaukee Journal Sentinel, opines, "Like much of the disc, it's an unexpected, but remarkable, choice from a confident pop star ready to set her own path to the top."[46] The A.V. Club's Annie Zaleski states that the album "possesses more personality than My Everything", and writes in conclusion that "Dangerous Woman is an effortless leap forward on which Grande comes into her own as a vocalist and performer."[35] NME's Larry Bartleet wrote that apart from the "consistent songwriting clout that elevates this album from recent efforts by Grande’s teen-star peers, Demi Lovato and Selena Gomez", the "modish message of empowerment feels honest coming from Grande, especially after an essay she shared last year that railed against the media's description of her as Big Sean's ex: "I do not belong to anyone but myself," she wrote." He further writes that he found it "genuinely satisfying" that the song "I Don't Care" directly reflected this message, where Grande sings "I used to let some people tell me how to live and what to be ... But if I can't be me, the fuck’s the point?"[37]

Michael Cragg from The Observer notes that although her previous album "was a commercial success", she had also unfortunately "lost her identity" in the process. In comparison, Cragg says that Dangerous Woman is a "refinement of her sound", and concludes that "[h]eld together by Grande's skyscraping voice, Dangerous Woman throws a lot at the wall and, brilliantly, most of it sticks."[38] In The Plain Dealer's Cleveland, Troy L. Smith wrote that the album "plays it safe and smart", explaining it "functions as "My Everything 2.0 – a collection of pitch-perfect hooks and slick production built in the mold of Mariah Carey."[2] In a mixed review, Christopher R. Weingarten from Rolling Stone opined the album tracks are "highlighting a singles artist who's capable of practically anything. But as an album artist, she's prone to a schizophrenic sound and unfortunate sequencing," adding "we're still no closer to figuring out who she wants to be." He concluded "her talents are wasted on meaningful-sounding but ultimately trite lyrics. However, her phrasing remains unique and powerful and pyrotechnic."[40] Tom Barnes from Mic sums up his review by saying that "[w]ith every listen, it gets harder and harder to view Grande's Dangerous Woman persona as an act, and it's [even] harder to find a label that can trivialize her talent."[47] Stephen Thomas Erlewine says for AllMusic that "[t]rack by track, Dangerous Woman has sly, subtle distinctions - a little bit of torch gives way to some heavy hip only to have frothy pop surface again", and that "while some of these cuts work better than others, the range is impressive, as is Grande's measured, assured performance."[34] Chuck Campbell from Knoxville News Sentinel gave the album four out of five stars.[48]

Commercial performance

In the United States, Dangerous Woman debuted at No. 2 on the Billboard 200. It earned 175,000 equivalent album units (including 129,000 in pure album sales), below Drake's Views (with 189,000 equivalent album units of which 50,000 are in traditional album sales).[49]

In Japan, the album debuted at No. 2 on Oricon Albums Chart, selling 20,811 copies in its opening week, and becoming Grande's highest album ranking in that region.[50]

In the United Kingdom, the album debuted at No. 1 on the Official Albums Chart, becoming Grande's first No. 1 album on that chart.[51] The album also reached No. 1 in several other markets, including Australia, the Netherlands, Ireland, Italy, New Zealand and Taiwan.[52]

Track listing

Dangerous Woman  – Standard edition[53]
No. Title Writer(s) Producer(s) Length
1. "Moonlight"   3:22
2. "Dangerous Woman"  
  • Martin
  • Carlsson
3:56
3. "Be Alright"  
2:57
4. "Into You"  
  • Martin
  • Salmanzadeh
4:04
5. "Side to Side" (featuring Nicki Minaj)
  • Grande
  • Salmanzadeh
  • Martin
  • Onika Maraj
  • Kronlund
  • Kotecha
  • Martin
  • Salmanzadeh
3:46
6. "Let Me Love You" (featuring Lil Wayne)
  • TB Hits
  • Mr. Franks
3:43
7. "Greedy"  
  • Martin
  • Kotecha
  • Kronlund
  • Salmanzadeh
  • Martin
  • Salmanzadeh
3:34
8. "Leave Me Lonely" (featuring Macy Gray)
  • Brown
  • Franks
  • Thomas Parker Lumpkins
  • McCants
  • TB Hits
  • Mr. Franks
  • Lumpkins
3:49
9. "Everyday" (featuring Future)
  • Salmanzadeh
3:14
10. "Bad Decisions"  
  • Grande
  • Martin
  • Kotecha
  • Salmanzadeh
  • Martin
  • Salmanzadeh
3:46
11. "Thinking Bout You"  
  • Svensson
  • Billboard
3:20
Total length:
39:31

Credits and personnel

Adapted from album liner notes.[57]

Vocal credits

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  • Ariana Grande – lead vocals, background vocals
  • Macy Gray – featured artist, background vocals
  • Future – featured artist, background vocals
  • Lil Wayne – featured artist
  • Nicki Minaj – featured artist
  • Max Martin – background vocals
  • Ilya Salmanzadeh – background vocals
  • Savan Kotecha – background vocals
  • Johan Carlsson – background vocals
  • Victoria McCants – background vocals
  • Chloe Angelides – background vocals
  • Ross Golan – background vocals
  • Alexander Kronlund – background vocals
  • Joi Gilliam – background vocals
  • Taura Stinson – background vocals
  • Chonita Gillespie – background vocals
  • Tommy Parker – background vocals
  • Daye Jack – background vocals
  • Sam Holland – background vocals (additional)
  • Jenny Schwartz – background vocals (additional)
  • Noah "Mailbox" Passovoy – background vocals (additional)
  • Silke Lorenzen – background vocals (additional)
  • Jeremy Lertola – background vocals (additional)
  • Patrick Donovan – background vocals (additional)
Technical credits (not including songwriting and producer credits shown in the track listing above)

<templatestyles src="Div col/styles.css"/>

  • Victoria McCants – vocal producer
  • Tommy Brownproducer, programmer, engineer, keyboard, percussion, bass, drums, vocal producer
  • Serban Ghenea – mixing
  • Tom Coynemastering
  • Aya Merrill – mastering
  • Peter Lee Johnson – strings
  • Christopher Truio – engineer
  • Nicholas Audino – engineer, programmer, keyboard, bass, percussion, drums
  • John Hanes – mixing engineer
  • Steven Franks – guitar, programmer, percussion, drums, producer, keyboard
  • Dernst Emile II – bass
  • Johan Carlsson – vocal producer, guitar, acoustic guitar, piano, synths, tambourine, programmer
  • Max Martin – vocal producer, programmer, keyboard, guitar, bass, percussion
  • Peter Karlsson – engineer, vocal engineer, vocal recorder, vocal producer
  • Sam Holland – engineer
  • Cory Brice – engineer
  • Khaled Rohaim – programmer, keyboard, bass, percussion
  • Savan Kotecha – vocal recorder
  • Ilya Salmanzadeh – programmer, keyboard, guitar, bass, percussion, vocal producer
  • Aubry "Big Juice" Delaine – recorder
  • Joel Metzler – engineer
  • Jordon Silva – engineer
  • Mattias Bylund – string arranger, strings, recorder
  • Mattias Johansson – violin
  • David Bukovinszky – cello
  • Jonas Thander – horns arranger, recorder, saxophone
  • Staffan Findin – trombone
  • Karl Olandersson – trumpet
  • Stefan Persson – trumpet
  • Thomas Parker Lumpkins – programmer
  • Mr. McClendon – producer
  • Christopher Trujillo – engineer
  • Jeremy Lertola – guitar
  • Richard Madenfort – songwriter, programming, keyboard, guitar
  • Peter Svensson – programming, keyboard, guitar, bass, percussion
  • Travis Sayles – producer, programmer, keyboard, bass
  • Michael Foster – programmer, percussion
  • Ryan Matthew Tedder – programmer, keyboard, bass
  • The Magi – producer
  • Loren Mann II – drums (additional)
  • Josh Connelly – guitar
  • Ali Payami – programmer, keyboard, guitar, bass, percussion
  • Mike Foster – songwriter
  • Billboard – programmer, keyboard, bass, percussion
Managerial and creative credits

<templatestyles src="Div col/styles.css"/>

  • Wendy Goldstein – A&R
  • Scott "Scooter" Braun – A&R
  • Maya Drexler – A&R coordinator
  • Ariana Grandeexecutive producer
  • Max Martin – executive producer
  • Savan Kotecha – executive producer
  • Rick Marty – talent liason
  • Jen Merlino – management
  • Stephanie Simon – management
  • Ken Hertz - legal representation
  • Donna Gryn – marketing manager
  • Jim Roppo – marketing manager
  • Matt Barnes – photographer
  • The Young Astronauts – photographer, art direction

Charts

Chart (2016) Peak
position
Australian Albums (ARIA)[58] 1
Austrian Albums (Ö3 Austria)[59] 5
Belgian Albums (Ultratop Flanders)[60] 2
Belgian Albums (Ultratop Wallonia)[61] 6
Canadian Albums (Billboard)[62] 2
Danish Albums (Hitlisten)[63] 6
Dutch Albums (MegaCharts)[64] 1
Finnish Albums (Suomen virallinen lista)[65] 11
French Albums (SNEP)[66] 8
German Albums (Offizielle Top 100)[67] 6
Irish Albums (IRMA)[68] 1
Italian Albums (FIMI)[69] 1
Japanese Albums (Oricon)[70] 2
Korean Albums (Gaon)[71] 21
Korean International Albums (Gaon)[72] 1
New Zealand Albums (RMNZ)[73] 1
Norwegian Albums (VG-lista)[74] 6
Scottish Albums (OCC)[75] 3
Swedish Albums (Sverigetopplistan)[76] 6
Swiss Albums (Schweizer Hitparade)[77] 3
Taiwanese Albums (Five Music)[78] 1
UK Albums (OCC)[79] 1
US Billboard 200[80] 2

Release history

List of release dates, formats, label and reference
Region Date Version Format(s) Label Ref.
Worldwide May 20, 2016
  • Standard edition
  • Deluxe edition
[53]

References

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External links