In Bruges

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In Bruges
250px
Theatrical release poster
Directed by Martin McDonagh
Produced by <templatestyles src="Plainlist/styles.css"/>
Written by Martin McDonagh
Starring <templatestyles src="Plainlist/styles.css"/>
Music by Carter Burwell
Cinematography Eigil Bryld
Edited by Jon Gregory
Production
company
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Distributed by <templatestyles src="Plainlist/styles.css"/>
Release dates
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  • January 17, 2008 (2008-01-17) (Sundance Film Festival)
  • February 8, 2008 (2008-02-08) (United States)
  • April 18, 2008 (2008-04-18) (United Kingdom)
Running time
107 minutes[1]
Country <templatestyles src="Plainlist/styles.css"/>
  • United Kingdom
  • United States[2]
Language English
French
Flemish
Budget $15 million
Box office $33.4 million[3][4]

In Bruges is a 2008 British-American neo-noir black comedy crime drama film written and directed by Martin McDonagh. The film stars Colin Farrell and Brendan Gleeson as two Irish hitmen in hiding, with Ralph Fiennes as their boss. The film takes place and was filmed in the Belgian city of Bruges.[5]

In Bruges was the opening night film of the 2008 Sundance Film Festival[6] and opened on limited release in the United States on 8 February 2008. The film garnered a cult status for its dark humor and dialogues.

Farrell won a Golden Globe Award for Best Actor in a Musical or Comedy for the film, while Martin McDonagh won a BAFTA Award for Best Original Screenplay.

Plot

Carrying out orders to execute a priest, rookie hitman Ray accidentally also kills a young boy. He and his mentor Ken are sent to Bruges by their employer Harry, where they are to await further instructions. Placidly biding his time until they can return to England, Ken finds the city charming and quaint, while Ray has nothing but contempt for it.

One night, Ken indulges Ray's desire to get out of their small hotel room, and they explore the historic city, chancing upon a film shoot involving a dwarf actor, which amuses Ray. Ray strikes up a romance with Chloë, a local drug dealer moonlighting as a production assistant, taking her to a fancy restaurant, where he gets into an argument with a couple and ends up knocking them unconscious. Later at her apartment, Chloë's ex-boyfriend Eirik suddenly appears and brandishes a handgun loaded with blanks, but Ray disarms him, and blinds him in one eye by discharging the gun in his face. Chloë shamefully admits that she and Eirik occasionally rob tourists after she seduces them, insisting she'd told Eirik that Ray was not a target. Ray also becomes acquainted with Jimmy, the dwarf actor, who turns out to be a drug-abusing racist.

Ken finally receives a call from Harry, unexpectedly ordering him to kill Ray, on the principle that the killing of a child—even accidentally—is unforgivable. Harry explains that he sent the pair to Bruges because he loved the city as a boy and wanted to give Ray one last beautiful memory before dying. With a handgun supplied by Harry's local contact Yuri, Ken reluctantly tracks Ray to a park and prepares to kill him. But Ray, distraught at his killing of the boy, is about to shoot himself with Eirik's loaded gun, and Ken instead stops him. Ken admits that he has been ordered to kill Ray, but convinces him to instead get on a train out of Bruges and not return to England, to make a new start elsewhere. Ken informs Harry of this, who immediately sets out for Bruges, enraged at the disobedience.

However, Ray is identified on the train by the couple he assaulted in the restaurant, and is escorted back to Bruges. Chloë bails him out, and the two share a drink on the market square beneath Bruges' belfry. Ken and Harry also meet for a drink nearby, then climb to the top of the carillon tower, where Ken argues that Ray deserves a chance at redemption, and accepts whatever fate Harry has for him in defense of that; baffled by Ken's principles, Harry shoots him in the leg. Eirik then alerts Harry that Ray has returned, and Ken is mortally wounded trying to stop Harry. As Harry descends the steps to kill Ray, Ken drags himself back to the top of the tower, but fog prevents him from using his gun. He throws coins onto the plaza, to alert the passers by below him. He then wraps his handgun in his coat and leaps to his death. Ray comes to his side and Ken lives long enough to warn him of Harry's arrival. He offers Ray his gun but it has been damaged beyond repair.

Harry pursues Ray through the city and wounds him with a single shot from a distance. Ray staggers onto the street where the film is shooting, as Harry catches up. He shoots Ray repeatedly, also hitting Jimmy, who is costumed as a schoolboy. Believing he has killed a child (in the same way Ray had), adhering to his own principles, Harry kills himself. Gravely wounded, Ray is lifted into an ambulance as he reflects upon the nature of hell.

Cast

Cultural references

The plot has similarities to Harold Pinter's one-act play The Dumb Waiter.[7] When checking into the hotel, Ray and Ken use the names Cranham and Blakely, a reference to Kenneth Cranham and Colin Blakely who played the hitmen in the BBC version of Pinter's play.

The film also contains many references to Don't Look Now,[8] including the claim by Chloë that the film-within-a-film is almost an homage to it.

Likewise, the scene where Ken is instructed to kill Ray was shot in a single, unbroken take, in a nod to the 3-minute single-take opening of Orson Welles' Touch of Evil, which can be seen playing on a TV in the background.

Music

In Bruges: Original Motion Picture Soundtrack
Soundtrack album by Carter Burwell
Released 5 February 2008
Recorded 2007
Genre Classical
Folk
Length 44:08
Label Lakeshore Records
Carter Burwell chronology
No Country for Old Men
(2007)No Country for Old Men2007
In Bruges
(2008)
Burn After Reading
(2008)Burn After Reading2008

In Bruges: Original Motion Picture Soundtrack is a soundtrack to the film of the same name, released by Lakeshore Records and featuring the score of Carter Burwell as well as additional music found in the film. The soundtrack was released on 5 February 2008 in the United States and Canada.[9]

All music composed by Carter Burwell, except where noted.

Track listing
No. Title Performer(s) Length
1. "Prologue"     1:17
2. "Medieval Waters"     1:40
3. "The Little Dead Boy"     1:46
4. "St. John the Gambler"   Townes Van Zandt 3:03
5. "The Last Judgement"     1:52
6. "View from the Tower"     1:04
7. "My Suicide Your Homicide"     1:38
8. "Brandy Alexander"   The Walkmen 2:30
9. "Save the Next Boy"     1:19
10. "Ray at the Mirror"     1:19
11. "Walking Bruges"     0:36
12. "The Magic Frog"     0:50
13. "Der Leiermann"   Andreas Schmidt and Rudolf Jansen 3:40
14. "Harry Walks"     1:21
15. "Dressing for Death"     1:11
16. "The Kiss Walk Past"     1:04
17. "On Raglan Road"   The Dubliners 4:15
18. "Thugs Passing in the Night"     1:13
19. "Shootout Part 1"     2:10
20. "When He's Dead"     1:08
21. "Shootout Part 2"     2:44
22. "Principles"     1:25
23. "I Didn't Want to Die"     1:35
24. "2000 Miles"   The Pretenders 3:38
Total length:
44:08

Release

Box office

In Bruges was released in limited theatres on 8 February 2008, and opened in 28 theatres in the United States, grossing $125,541 on its opening day and $459,575 on its opening weekend, ranking No. 25 with a per theatre average of $16,413.[10][11] On its second weekend, it was released in 112 theatres and moved up to No. 22 and grossed $970,211, with a per theatre average of $8,663.[12][13] By its third weekend it moved up even more to No. 21 and made $738,318 from 163 theatres it was released, with $4,530 per theatre average.[14][15]

Critical response

In Bruges received positive reviews from critics. Rotten Tomatoes gives the film a score of 84%, based on 184 reviews, with an average rating of 7.3/10. The critical consensus reads: "Featuring witty dialogue and deft performances, In Bruges is an effective mix of dark comedy and crime thriller elements."[16] Metacritic gives the film an average score of 67 out of 100, based on 34 critics, which indicates "generally favorable reviews".[17]

Chicago Sun-Times critic Roger Ebert gave the film four out of four stars, saying "This film debut by the theater writer and director Martin McDonagh is an endlessly surprising, very dark, human comedy, with a plot that cannot be foreseen but only relished."[18] Tasha Robinson of The A.V. Club gave the film an "A-", praising the performances of the main cast: "Farrell, having successfully made the transition from overexposed-yet-underutilized action-thriller star to one-film-a-year artiste, gets a lot to work with, and he sells it all flawlessly, moving convincingly from offhanded, prickly asshole mode to nervous young lover to disintegrating martyr," and that "then again, all the leads are perfectly cast, and they help turn a light farce with thriller overtones into something deeper and sweeter." About the film itself, she added: "When it's funny, it's hilarious; when it's serious, it's powerful; and either way, it's an endless pleasant surprise."[19] Claudia Puig of USA Today gave the film three and a half stars out of four and praised the two leads, stating that "Brendan Gleeson is brilliant as Ken ... along with his partner in crime, Ray, played by Colin Farrell in probably his best performance." About the film, she added that it's "sharply written, superbly acted, funny and even occasionally touching."[20] Damon Wise of Empire magazine gave the film four out of five stars, writing that "with In Bruges, the British gangster movie gets a Croydon facelift. It may not be new, but it's a wonderfully fresh take on a familiar genre: fucked-up, far-out and very, very funny."[21]

John Anderson of the Washington Post gave the film a positive review, writing that "those who know McDonagh's work know a vein of darkness will run deeply through the comedy. It has seldom been darker. Or funnier. He has made a hit-man movie in which you don't know what will happen and can't wait to find out. Every movie should be so cliched."[22] Mick LaSalle of San Francisco Chronicle also gave the film a positive review; he praised Farrell's performance, stating that "in the past few months, with Cassandra's Dream and now this, we've found out something about Farrell. He's not a matinee idol, and he's not a suave or heroic leading man. He's a terrific character actor, and he can go to low places that suave heroes can't risk, like anguish, self-hatred, embarrassment, utter confusion and buffoonery." About the film, he added that it's "witty and lively, with a soul to it, as well."[23] Dana Stevens of Slate magazine also praised the performances of the two leads: "Farrell, who just played a remarkably similar tortured killer for hire in Woody Allen's Cassandra's Dream, finds just the right tone for this twitchy, funny, emotionally volatile thug; for once, he seems to know exactly what movie he's in. So does Brendan Gleeson, the big, shambling, sad-eyed Irish actor known to American audiences mainly for his role in the last two Harry Potter movies." She continued about the film: "A jolly mess of a movie. Overplotted, choppy, and contrived, it nonetheless has a curious vitality that makes you wonder where McDonagh will go next."[24] James Berardinelli of ReelViews gave the film two-and-a-half stars out of four, writing that "the acting is top-notch. Colin Farrell, who seems to be gravitating increasingly toward smaller films, effectively channels his manic energy. He and Brendan Gleeson display chemistry in the Odd Couple vein, occasionally giving rise to instances of humor. Ralph Fiennes plays one of the most twisted roles of his career."[25]

Lisa Schwarzbaum of Entertainment Weekly gave the film a "C+", indicating a mixed review; she praised McDonagh's directing, stating that "he's a specialist in constructing satisfying, live-wire dramas of violence that crash up against despair, in upending his characters' miseries with moments of twisted humor, and in sustaining a writing voice that roars with a particularly Irish robustness of obscenity." She also added that "neither star is sloppy, but both are loose and mellow – a couple of pros who know they're the whole show."[26] Ella Taylor of Village Voice also gave the film a mixed review, stating that "Bruges may be the movie's rather too-long-running joke, but Farrell's shaggy brow is easily the most entertaining thing in Irish playwright Martin McDonagh's first foray into the crime caper."[27]

Accolades

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In Bruges was nominated for seven awards by the British Independent Film Awards,[28] including the Douglas Hickox Award (Debut Director), Best Performance by an Actor in a British Independent Film and Best Screenplay, the latter of which it won.[29] It was also nominated for two Satellite Awards: for Best Actor (Brendan Gleeson) and Best Film.[30]

In November 2008, Martin McDonagh won the Irish Playwrights and Screenwriters Guild (IPSG) award for Best Film Script for the film.[31]

The film was also nominated for the Golden Globe Award for Best Motion Picture – Musical or Comedy, and both Brendan Gleeson and Colin Farrell were nominated for Best Actor – Motion Picture Musical or Comedy,[32] which Farrell won at the 66th Golden Globe Awards ceremony, broadcast on 11 January 2009.[33] McDonagh won the Best Original Screenplay award at the 62nd British Academy Film Awards in February 2009.[34]

The film was nominated for Best Original Screenplay award at the 81st Academy Awards in 2009, but lost to Milk.[35] In the same year, it won the Best International Film award at the 6th Irish Film & Television Awards.[36]

Home media

The film was released on DVD in region 1 on 24 June 2008; region 2 on 11 August 2008; and region 4 on 21 January 2009.[citation needed] It was also released on Blu-ray on 27 January 2009; and in region 1 on 13 July 2010.[37]

References

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External links