Anna Maria Ehrenstrahl
Anna Maria Ehrenstrahl Wattrang | |
---|---|
File:Anna Maria Ehrenstrahl.jpg | |
Born | Stockholm |
4 September 1666
Died | Script error: The function "death_date_and_age" does not exist. Stockholm |
Nationality | Swedish |
Education | David Klöcker Ehrenstrahl (her father) |
Style | Baroque |
Spouse(s) | Johan Wattrang |
Anna Maria Ehrenstrahl (4 September 1666 – 22 October 1729),[1][2] was a Swedish Baroque painter. She is known for her allegorical works paintings, portraits and group portraits.
Contents
Biography
Anna Maria Ehrenstrahl was the daughter of the painter David Klöcker Ehrenstrahl[3] and Maria Momma.[2]
In 1688, she married Johan Wattrang (1652–1724), President of Svea Hovrätt.[2] She is still, however, known exclusively by the surname Ehrenstrahl. At this time in Sweden, it was not common for women to assume the name of their husbands after marriage. As a private person, she has been described as a cultivated hostess in the home of her spouse. Because of her wealthy marriage, she did not have to be a professional artist to support herself, but she continued to paint her entire life, and still occasionally accepted commissions for money.[1] She seem to have been a respected artist by her contemporaries.[1]
Anna Maria Ehrenstrahl was the student of her father. She was early assigned by him as his assistant to paint details in his work in his studio. Her father entrusted her with commissions to his studio.[1] She produced a large number of copies of the works of her father. Among them a portrait of King Charles XI of Sweden. At this time, copies was an art form with some status, and a lucrative task for an artist.[1]
Her production consisted of allegory, gouache and portraits of people and animals, single and in groups, in the baroque style also used by her father. At the age of twenty one, she completed an allegory of the four seasons (1687) and an allegory of Cupid and Psyche. She produced portraits of Prince Fredrik and Prince Karl Gustav by commission of the Queen Dowager (1690), a portrait of Prince Gustav (1685), a portrait of Queen Ulrika Eleonora of Denmark, and of Aurora Königsmarck. She produced a group of portraits of six presidents of Svea Hovrätt: Magnus Gabriel De la Gardie, Gustaf Adolf De la Gardie, L. Wallenstedt, Gabriel Falkenberg, Reinhold Johan von Fersen and Carl Gyllenstierna (1717). She further produced portraits of the members of the Wattrang family, and work in gouache of animals.
In 1717, Anna Maria Ehrenstrahl donated six of her paintings to Svea Hovrätt, depicting six of its presidents. On this occasion, the writer Sophia Elisabet Brenner wrote a poem of admiration to her, which depicts them both as female pioneers of their respective profession in Sweden:[1]
If I of inborn instinct rimes for my pleasure,
Your inclination is made clear by your work.
Though art may sometimes cost us hours,
There is no better way to be remembered by.
Let envy grine against us, let death tense his bow,
For neither scare your pencil, nor my pen.
References
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Sources
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External links
Media related to Lua error in package.lua at line 80: module 'strict' not found. at Wikimedia Commons
- Anna Maria Ehrenstrahl at Svenskt kvinnobiografiskt lexikon
- Anna Maria Ehrenstrahl at DigitaltmuseumLua error in Module:EditAtWikidata at line 29: attempt to index field 'wikibase' (a nil value).
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- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 En mamsell i akademien. Ulrica Fredrica Pasch och 1700-talets konstvärld. av Anna Lena Lindberg, Stockholm: Signum, 2010. ISBN 978-91-86221-05-8
- ↑ 2.0 2.1 2.2 Anna Maria Ehrenstrahl, urn:sbl:16717, Svenskt biografiskt lexikon (art av Axel Sjöblom.), hämtad 2015-02-07.
- ↑ 3.0 3.1 Lua error in package.lua at line 80: module 'strict' not found.
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- 1666 births
- 1729 deaths
- Baroque painters
- Swedish portrait painters
- 17th-century Swedish painters
- 18th-century Swedish painters
- 18th-century Swedish women artists
- 17th-century women artists
- People of the Swedish Empire