I Live in Fear
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The film stars Kurosawa regulars Toshiro Mifune and Takashi Shimura. It is in black-and-white and runs 103 minutes. The film was entered into the 1956 Cannes Film Festival.[1]
Contents
Cast
- Toshiro Mifune as Kiichi Nakajima
- Takashi Shimura as Dr. Harada
- Minoru Chiaki as Jiro Nakajima
- Eiko Miyoshi as Toyo Nakajima
- Kyoko Aoyama as Sue Nakajima
- Haruko Togo as Yoki Nakajima
- Noriko Sengoku as Kimie Nakajima
- Akemi Negishi as Asako Kuribayashi
- Hiroshi Tachikawa as Ryoichi Sayama
- Kichijirō Ueda as Mr. Kuribayashi's father
- Eijirō Tōno as Old man from Brazil
- Yutaka Sada as Ichiro Nakajima
- Kamatari Fujiwara as Okamoto
- Ken Mitsuda as Judge Araki
- Masao Shimizu as Yamazaki, Yoshi's husband
Plot
Kiichi Nakajima (Toshiro Mifune), an elderly foundry owner convinced that Japan will be affected by an imminent nuclear war, resolves to move his family to safety in Brazil.[2] Nakajima's fervent wish is for his family to join him in escaping from Japan to the relative safety of South America. His family decides to have him ruled incompetent and Dr. Harada (Takashi Shimura), a Domestic Court counselor, attempts to arbitrate. Harada, a civil volunteer in the case, sympathizes with Nakajima's conviction, but the old man's irrational behavior prevents the court from taking his fears seriously.
Production
This was the last film that composer Fumio Hayasaka worked on before dying of tuberculosis in 1955. He had been Kurosawa's close friend since 1948 and had collaborated with him on several films.
References
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External links
- Pages with reference errors
- Articles containing Japanese-language text
- Articles with Japanese-language external links
- 1955 films
- Films directed by Akira Kurosawa
- Japanese films
- Japanese-language films
- Black-and-white films
- Films about nuclear war and weapons
- 1950s drama films
- Toho films
- Screenplays by Shinobu Hashimoto
- Screenplays by Akira Kurosawa
- Screenplays by Hideo Oguni
- Film scores by Fumio Hayasaka
- Film scores by Masaru Sato
- Films produced by Sōjirō Motoki