The Whip and the Body

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The Whip and the Body
File:The- Whip-and-the-Body-poster.jpg
Italian film poster for The Whip and the Body
Directed by Mario Bava
Starring <templatestyles src="Plainlist/styles.css"/>
Music by Carlo Rustichelli[1]
Cinematography <templatestyles src="Plainlist/styles.css"/>
Edited by Renato Cinquini[1]
Production
company
<templatestyles src="Plainlist/styles.css"/>
  • Vox Film
  • Leone Film
  • Francinor
  • P.I.P.[1]
Distributed by Titanus (Italy)[1]
Release dates
<templatestyles src="Plainlist/styles.css"/>
  • August 29, 1963 (1963-08-29) (Italy)
  • January 26, 1966 (1966-01-26) (France)
Running time
91 minutes[1]
Country <templatestyles src="Plainlist/styles.css"/>
  • Italy
  • France[1]
Box office ₤72 million

The Whip and the Body (Italian: La frusta e il corpo ) is a 1963 Italian-French gothic horror film directed by Mario Bava. The film is about Kurt Menliff (Christopher Lee) who is ostracized by his father for his relationship with the a servant girl. He later returns to the family through his brother, but Menliff falls madly in love with his brother's wife Nevenka (Daliah Lavi). Lee is later found murdered, but the locals believe others believe his ghost has returned to haunt the castle for revenge.

The film was removed from cinemas by Italian censors even after cuts to the film were made for its sadomasochistic themes. It was cut to 77 minutes released theatrically What and Night is the Phantom in the United States and United Kingdom respectively.

Plot

Lua error in package.lua at line 80: module 'strict' not found. An isolated castle on the Eastern European coast. Kurt (Christopher Lee), the older son of Count Menliff (Gustavo De Nardo), was in marriage preparations with Nevenka (Daliah Lavi). However, Kurt had an affair with Tania, the daughter of Menliffs' servant Giorgia (Harriet Medin), and Tania committed suicide because of Kurt's prospective marriage. Count Menliff rejected Kurt and he left the castle. Meanwhile, Nevenka married Cristiano (Tony Kendall), Kurt's younger brother.

One day, Kurt arrives at the castle, superficially to celebrate Cristiano and Nevenka but in fact he is to reclaim his title and fortune, which supposedly also includes Nevenka. During an evening on the beach and following a session of flogging and sex, masochistic Nevenka understands that she is still in love with Kurt. Frustrated, she does not return to the castle and is eventually found unconscious by the butler Losat (Luciano Pigozzi). On the same night, Kurt is killed under curious circumstances, with the same dagger Tania had committed suicide with. Now, Kurt is dead but a series of events hints that his ghost has started to haunt the castle for revenge.

Cast

[1]

Production

The film credits the writers as Ernesto Gastaldi as Julian Berry, Ugo Guerra as Robert Hugo, Luciano Martino as Martin Hardy.[1] Ernesto Gastaldi has stated that he had written the script himself with Ugo Guerra possibly contributing to some of the story early one while Luciano Martino had no contribution to the script.[1] Gastaldi was shown an Italian print of The Pit and the Pendulum (1961) by the producers who requested a similar film to be made.[1] Gastaldi is credited as an assistant director in the films credits, but has stated he was never even on the set of the film.[2] Mario Bava was brought in to direct the film through Ugo Guerra's suggestion as he could both direct the film and photograph the film.[1] Bava took care of the cinematography for the film while his regular camera man Ubaldo Terzano is credited as the cinematographer.[1]

The film was shot for under ₤159 million Italian lire for six week shooting schedule with one more week for special effects.[2] The film was shot in both Anzio and Castel Sant'Angelo in Rome.[1]

Release

The films sadomasochistic theme caused trouble with censors in Italy.[3] The board of censors demanded no cuts to the film, but gave it a V.M. 18 rating meaning that it was forbidden to minors.[3] This was appealed by the production companies for the film who cut parts of the film on their own and later earned a V.M. 14 rating.[3] The Whip and the Body was released in Italy on August 29, 1963 through Titanus.[1] The film was seized on October 12, 1963, with charges of obscenity.[3] The film was declared that it contained "several sequences that refer to degenerations and anomalies of sexual life."[3] The film was then later re-released in January 1964.[3] The law court of Rome ordered the confiscation of several scenes that were described as "contrary to morality".[3] The film poster was to be destroyed and condemned the chief press officer at Titanus to three months on probation.[3] The film grossed a total of 72 million Italian lire.[1]

The Whip and the Body received a release in France under the title Le Corps et le fouet on January 26, 1966.[1] A 77-minute version titled What was released in the United States in 1965.[2] This version was dubbed in English with none of the actors dubbing their own voices.[2] The 77 minute version was nearly identical to the British edit of the film released under the title Night is the Phantom.[2]

Home video

A Region 1 DVD of The Whip and the Body was released by VCI on October 31, 2000 with an 88 minute running time.[4] The DVD was sourced from a 35mm print of the film.[4] The disc included an audio commentary with Tim Lucas, isolated soudtrack, photo gallery, cast and crew biographies and filmographies.[4] A blu ray of the film was released by Kino on December 17, 2013.[5] The blu-ray contained a Tim Lucas audio commentary and theatrical trailers.[5]

Reception

In contemporary reviews, The Monthly Film Bulletin reviewed the 77-minutes English-dubbed version titled Night is the Phantom in 1965.[6] The review referred to the film as "slow, repetitive, verging on parody" and that either "censor or distributor cuts have rendered much of the plot incomprehensible, thought one doubts if it ever made sense entirely."[6] The review compared the film to other genre films of the era, calling it "another of Italy's prankish simulations of British horror movie" as well as stating that "Mario Bava copies [Riccardo] Freda almost slavishly" but "still pulls off some arresting pictorial compositions".[6] In 1970, screenwriter Ernesto Gastaldi stated that the film disappointed him.[3] Gastaldi described that he felt about the story “in terms of a psychological nightmare, in the style of Clouzot's films, but Bava saw in it a baroque and decadent drama, and emphasized such tones beyond belief.”[3][7]

From retrospective reviews, Slant Magazine gave the film four and a half stars out of five, stating that the film found "Bava at the peak of his visual prowess"[8] Online film database AllMovie found that Bava's "exceptional visual style helps to lift an otherwise gloomy picture". The review noted that the film contained a "strong, witty script and one of the finest casts the Italian director ever worked with" resulting in "a solid horror film that works on multiple levels."[9]

See also

Notes

  1. 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 Curti 2015, p. 102.
  2. 2.0 2.1 2.2 2.3 2.4 Curti 2015, p. 103.
  3. 3.0 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 Curti 2015, p. 107.
  4. 4.0 4.1 4.2 Lua error in package.lua at line 80: module 'strict' not found.
  5. 5.0 5.1 Lua error in package.lua at line 80: module 'strict' not found.
  6. 6.0 6.1 6.2 Lua error in package.lua at line 80: module 'strict' not found.
  7. Curti 2015, p. 108.
  8. Lua error in package.lua at line 80: module 'strict' not found.
  9. Lua error in package.lua at line 80: module 'strict' not found.

References

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External links